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5
Kona 3
AJA Video Systems
4 reviews
4.5
MXO2 Mini
Matrox
5 reviews
4.666665
LaCie d2 Quadra Hard Disk
LaCie
4 reviews
3.666665
G-RAID mini
G-Technology
3 reviews
5
MXO
Matrox
2 reviews
5
G-DRIVE mini
G-Technology
2 reviews
5
Mackie Control Universal Pro
Mackie
1 review
5
Io HD
AJA Video Systems
1 review
5
G-RAID3
G-Technology
1 review

Latest Activity
Bill Mac posted a comment about Edit 3:

Winsted
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thanks!
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A thing of beauty!


Latest News

Blackmagic Design Releases Support For Final Cut Pro X 10.0.3 Broadcast Monitoring

01 Feb 2012

Blackmagic Design today released Desktop Video 9.2 beta 1, a software update for its capture and playback products that adds broadcast monitoring support with the new Final Cut Pro X 10.0.3 update.

Desktop Video 9.2 beta 1 for Mac OS X is available for download now and is free of charge for all Blackmagic Design customers. This update includes support for all current DeckLink, Multibridge, Intensity and UltraStudio models.

Broadcast monitoring in Final Cut Pro 10.0.3 read more...

X2Pro Audio Convert delivers Final Cut Pro X projects to Pro Tools

31 Jan 2012

Marquis Broadcast today announced the launch of X2Pro Audio Convert, its cutting edge conversion application for delivering Final Cut Pro X projects to Avid Pro Tools for audio finishing.

“We are excited about the introduction of X2Pro Audio Convert,” said Chris Steele, Product Manager of Marquis Broadcast. “It provides a smooth workflow between Final Cut Pro X and Pro Tools, allowing users to take full advantage of the functionality of these world-class products now and in the read more...

Red Giant Announces Magic Bullet Looks 2 Support for Apple Final Cut Pro X

31 Jan 2012

(January 31, 2012) Red Giant today announced that their flagship color treatment product, Magic Bullet Looks 2, is now available for Apple Final Cut Pro X. The new release of Looks 2 gives professional video editors the ability to add high quality color effects and color grading inside the Final Cut Pro X timeline. Looks 2, a powerful full-featured color treatment software available for Final Cut Pro X, delivers the same professional color finishing used on big budget movies like The read more...

GenArts Sapphire Edge Brings High-End Visual Effects to the Final Cut Pro X Creative Community

31 Jan 2012

Cambridge, MA – January 31, 2012 – GenArts® Inc., the global leader in specialized visual effects software for the media and advertising industries, today announced the availability of Sapphire Edge for Final Cut Pro X professional video editing application from Apple. Sapphire Edge empowers Final Cut Pro X editors to efficiently apply cutting-edge visual effects in a streamlined editorial experience without compromising the quality of the final result. Sapphire Edge delivers the same read more...

PluralEyes for Final Cut Pro X Now Available

26 Jan 2012

Vancouver, British Columbia - Singular Software, a developer of workflow automation applications for video production, is pleased to announce the availability of PluralEyes for Apple Final Cut Pro X (FCP X). The multi-award winning PluralEyes technology works alongside FCP X to quickly and accurately sync video and audio clips for dual-system audio and multi-camera productions, saving hours of tedious manual syncing during post-production.

"The auto sync function that is built read more...

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Latest Blogs

New That Post Show: Edit Pro Supergood

Mon 19 Dec 2011 ProVideo Coalition Just over a week ago I enjoyed sitting in on another episode of That Post Show where we had a calm and rational (mostly) discussion of Avid Media Composer 6 and Apple Final Cut Pro X. While it might seem these two NLEs are rather far apart in their perception and target market they are indeed both non-linear editors that can be used to tell a story as well as the two newest NLEs on the block. The show is called Edit Pro Supergood and it’s a long one, clocking in at a bit over two hours. read more...

Rethinking NLE design

Sat 10 Dec 2011 digitalfilms The launch of Apple Final Cut Pro X stood the editing industry on its collective ear. It also sparked some very interesting – and occasionally heated – discussions about what the design of a modern, nonlinear editing application really should be. NLEs that we all use today are a collection of terminology, tools, designs and [...] read more...

Smoke for Final Cut Pro Users

Fri 09 Dec 2011 ProVideo Coalition As a Senior Smoke Trainer here at Autodesk, I routinely get question from editors and artists asking me how Smoke compares to the software packages and plugins they use for everything from editing to color correction to visual effects. read more...

Goodies for the holidays

Fri 02 Dec 2011 digitalfilms Time for catch up on the little odds and ends that will make your editing workday more pleasant. If you’re the buyer, it’s hard to ignore low cost values, much less powerful free products. A number of influences over the past year have made this a great time if you are ready to spruce up [...] read more...

Workarounds For FCP X Shortcomings?

Fri 18 Nov 2011 ProVideo Coalition In this latest episode of “The Terence & Philip Show” we start by discussing the release of Final Cut Pro X 10.0.1.  We know what features are in this release and what else is coming in “early 2012″ but what will Apple do for Version 2? We also cover, Intelligent Assistance’s new release of Project X27 for transferring Final Cut Pro X XML to Final Cut Pro 7 XML for use in Color, Soundtrack Pro, Premiere Pro CS 5.5, OMF export and beyond. This leads to a discussion about the various flavors of XML and the differences in data structures between the two versions of Final Cut Pro. read more...

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